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《蓝胡子的第八任妻子》整个故事是对清教徒社会风气的嘲讽：既然影坛的清洁运动如火如荼，连在婚姻注册署办了正式手续的结发夫妻也被剥夺同睡一张床的权利，那干脆拍部太太不肯圆房的戏好了，包保没有触犯禁忌的危险。拥有七次辉煌婚姻纪录的富贵男主角，终于排除万难把心仪的女子追到手，但疑神疑鬼的第八任妻子虽然愿意结婚，却觉得他无论如何不会相信自己嫁入豪门为的不是钱，于是坚持守身如玉，要直到证实他不再对自己的真心存疑，才肯在床上尽做妻子的义务。脱了裤子放屁的桥段，由别的导演处理大概凶多吉少，然而由刘别谦烹调，就是一道色香味俱全的佳肴——“多此一举”甚至成了对可怜复可笑的男主角的挖苦。。1934, America. The Dustbowl. A fugitive named Ben Hawkins finds refuge within a traveling carnival comprised of a tarot card reader and her catatonic/telekinetic mother, a blind mentalist, a bearded lady, and conjoined twins, amongst others. The carnival is owned by the mysterious and unseen Management, who has designs on the young Hawkins, for the boy is concealing an untapped...。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。